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labor is incident to literary men, who, dealing with the organ of language, --- the subtlest, strongest, and longest-lived of man's creations, and only fitly used as the weapon of thought and of justice, --learn to enjoy the pride of playing with this splendid engine, but rob it of its almightiness by failing to work with it. Extricating themselves from the tasks of the world, the world revenges itself by exposing, at every turn, the folly of these incomplete, pedantic, useless, ghostly creatures. The scholar will feel that the richest romance, the noblest fiction that was ever woven, the heart and soul of beauty, lies enclosed in human life. Itself of surpassing value, it is also the richest material for his creations. How shall lie know its secrets of tenderness, of terror, of will, and of fate?
How can he catch and keep the strain of upper music that peals from it? Its laws are concealed under the details of daily action. All action is an experiment upon them. He must bear his share of the common load. He must work with men in houses, and not with their names in books. His needs, appetites, talents, affections, accomplishments, are keys that open to him the beautiful museum of human life. Why should he read it as an Arabian tale, and not know, in his own beating bosom, its sweet and smart? Out of love and hatred, out of earnings, and borrowings, and lendings,
