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perfect chain, --- see it, or see it not, --- of reforms emerging from the surrounding darkness, each cherishing some part of the general idea, and all must be seen in order to do justice to any one. Seen in this their natural connection, they are sublime. The conscience of the Age demonstrates itself in this effort to raise the life of man by putting it in harmony with his idea of the Beautiful and the Just. The history of reform is always identical, it is the comparison of the idea with the fact. Our modes of living are not agreeable to our imagination. "We suspect they are unworthy. We arraign our daily employments. They appear to us unfit, unworthy of the faculties we spend on them. In conversation with a wise man, we find ourselves apologizing for our employments; we speak of them with shame. Nature, literature, science, childhood, appear to us beautiful; but not our own daily work, not the ripe fruit and considered labors of man. This beauty which the fancy finds in everything else, certainly accuses the manner of life we lead. Why should it be hateful? Why should it contrast thus with all natural beauty? Why should it not be poetic, and invite and raise us? Is there a necessity that the works of man should be sordid? Perhaps not. --- Out of this fair Idea in the mind springs the effort at the Perfect. It is the interior testimony to a fairer possibility of
