which flows into us from the Universal Life-Principle is at every moment new Life entirely undifferentiated to any particular purpose besides that of supporting our own individuality, and that it is therefore ours to externalise in any form we will, then we find that this manifestation of the eternal Life-Principle in ourselves is the standpoint from which we can control our surroundings. We must lean firmly on the central point of our own being and not on anything else. Our mistake is in taking our surroundings too much "au grand serieux." We should touch things more lightly. As soon as we feel that their weight impedes our free handling of them they are mastering us, and not we them.

Light handling does not mean weak handling. On the contrary, lightness of touch is incompatible with a weak grasp of the instrument, which implies that the weight of the tool is excessive relatively to the force that seeks to guide it. A light, even playful handling, therefore implies a firm grasp and perfect control over the instrument. It is only in the hands of a Grinling Gibbons that the carving tool can create miracles of aerial lightness from the solid wood. The light yet firm touch tells not of weakness, but of power held in reserve; and if we realise our own out-and-out spiritual nature we know that behind any measure of power we may put forth there is the whole reserve of the infinite to back us up.

As we come to know this we begin to handle things lightly, playing with them as a juggler does with his